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All of the Norman Lindsay Facsimile Etchings are printed according to the highest quality and standard. Each Facsimile is now printed on 238gsm acid-free, archival quality Teton paper, with the colour chosen in order to be as close to the original colour by Rose. To ensure the limited edition status of the Facsimile Etchings, all original printing materials and plates used for the printed process have first been cancelled and then destroyed. The Norman Lindsay Facsimile Etchings are published in strinct accordance with copyright conditions. Authenticity is guaranteed by an embossed seal int he lower right hand corner of the image and all works are accompanied by a Certificate of Authenticity. Each image is individually hand-numbered and once an edition has sold out, it is never again released. Each Norman Lindsay Facsimile etchings is in an edition of 550 and size is listed as image size only (vertical x horizontal). Prices are for works in very good condition and unframed unless noted otherwise. The Norman Limited Edition Paintings are published in strict accordance with copyright conditions. Authenticity is guaranteed by an embossed seal in the lower right hand corner of the image and all works are accompanied by a Certificate of Authenticity Each image is individually hand-numbered and once an edition has sold out, it is never again released. Rita of the Eighties, City of Joy, Languor and Court to Peacocks are reproduced in full colour on 300gsm Parilux whilst The Curtain and Where War Ends are reproduced in full colour on 250gsm Parilux. The archival quality Parilux paper used for the Limited Edition Paintings is totally acid, dioxin and chlorine free. All original printing materials used for the Limited Edition Paintings have been destroyed and the metal plates used in the printing process have first been cancelled and then destroyed. |