BLOOMFIELD GALLERIES
JEREMY GORDON
ARTIST'S STATEMENT — PROCESS AND MEDIUM EMPLOYED
My methods of tempera painting vary, but all my tempera paintings are built of multiple layers of pigment bound, or tempered, with egg yolk or an egg and oil emulsion.

A straight egg tempera painting is made up of small brush strokes in layers. Pure egg tempera does not lend itself to blending as readily as oil paint and traditionally the surface is built by hatching and cross hatching.

My paintings in egg and oil tempera are built of multiple layers of pigment tempered with egg, egg and oil emulsions, oil glazes and oil paint. This is a more flexible medium and behaves differently optically to egg tempera because of the introduction of oil. The oils used vary and resins are sometimes added.

The panels for tempera painting are coated with nine or ten layers of gesso. Gesso is calcium carbonate (whiting) mixed with rabbit skin glue.

This makes a very stable ground and the many layers of the gesso also have an effect on the optics of the painting.
Tempera on gesso is one of the oldest mediums for making paintings. It's longevity is well known. The combination of the layers of the gesso ground and the many layers of pigment variously bound build up luminosity of colour.

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PAINTINGS
PAGEANT Jeremy Gordon - Pageant
Date
Medium
Size
Signature
Price
1991
Egg and oil on panel
59.5 x 90.0 cm
Signed and dated lower centre
$14,000 (framed)
 
SHIFTING SANDS Jeremy Gordon - Shifting Sands
Date
Medium
Size
Signature
Price
1981
Egg and oil on panel
74.0 x 100.5 cm
Signed and dated lower left
$10,000 (framed)
 
CHRONOLOGY
1947 Born in Adelaide, South Australia
1961-62 Fine Arts, South Australian School of Art
1966-68 Private tuition from Sir William Dobell who encouraged going abroad
1963-65 East Sydney Technical College
1966 Hammersmith Art School, London
1966-68 Byam Shaw School, London - awarded Painting Prize and Diploma of Fine Art
SOLO EXHIBITION
1971 Joseph Brown Gallery, Melbourne; Max Adams Gallery, Adelaide
1975 Bloomfield Galleries, Sydney
1977 Bloomfield Galleries, Sydney
1978 Greenhill Galleries, Adelaide
1979 Commonwealth Institute, London; Bloomfield Galleries, Sydney
1982 Bloomfield Galleries, Sydney
1987 Tynte Gallery, Adelaide
1988 Bloomfield Galleries, Sydney
1991 Bloomfield Galleries, Sydney
1993 BMG ART, Adelaide
1994 Bloomfield Galleries, Sydney
GROUP EXHIBITIONS
  Alice Spring Prize Exhibition, Alice Springs
  Avant Galleries, Melbourne
  Bloomfield Galleries, Sydney
  CAS Temporary Exhibition, Adelaide
  Cooks Hill Gallery, Newcastle
  Edwin Pollard Gallery, London
  Festival of Life, Festival Exhibition, Adelaide
  Inaugural Exhibition of South Australian Artists, Festival Centre Gallery, Adelaide
  Invitation Exhibition, Fremantle
  Kym Bonython Gallery, Adelaide
  Max Adams Gallery, Adelaide
  Real Super Real Exhibition, Albury Wadonga Regional Gallery
  South Australian Gallery Centenary Exhibition, Adelaide
  Sydney Opera House Galleries Exhibition, Sydney
  10 South Australian Artists, Royal Society Exhibition, Adelaide
  Travelodge Prize Exhibition, Melbourne
  Tynte Gallery, Adelaide
REPRESENTED
BHP Collection, Melbourne
Commonwealth Bank of Australia, Sydney
Flinders University of South Australia, Adelaide
Reserve Bank of Australia, Sydney
SELECTED BIBLIOGRAPHY
Art and Australia, Volume 9, No. 1, 1971, p.22.
Bonython, Kym, Modern Australian Painting 1970-1975, Rigby, 1976, plate 104.
Vantage, Volume 1, No. 1, 1977, front cover.
Bonython, Kym, Modern Australian Painting 1975-1980, Rigby, 1980, plate 39.
Germaine, Max, Artists and Galleries of Australia, Boolarong Publications, 1984, p.202.
McCulloch, Alan, Encyclopedia of Australian Art, Allen and Unwin, 1984, p.512.
Germaine, Max, Artists and Galleries of Australia, Boolarong Publications, 1990.
McCulloch, Susan and McCulloch, Alan, Encyclopedia of Australian Art, Allen and Unwin, 1994, p.512.