BLOOMFIELD
GALLERIES
ALASDAIR McGREGOR |
The Wollangambe River series of screenprints are Alasdair's
first efforts in the printmaking medium. Rather than slavishly trying
to reproduce painterly effects, the prints depart from the paintings
that inspire them. Subtleties of tone and colour are built up in smooth
expanse, ideally suited to the subject of the silent, gliding river.
Over a period of three years from 1993, Alasdair McGregor was fortunate
to visit numerous islands off every Australian coast; researching,
photographing and painting. The results of this marvellous endeavour
were an exhibition - Australia's Wild Islands, held in 1996,
and a book of the same title published in 1997. These two lithographs
were inspired by that project.
Drawing is fundamental to Alasdair's work, so lithography became a
natural choice in printmaking, allowing him to readily explore a love
of line and modelling. These prints reflect just two of the endless
variety of subjects he encountered in his island wanderings.
All works are image size only
and unframed. Please contact us regarding freight prices.
All works are framed.
Click on thumbnails
to view larger images. |
Date
Size
Edition
Price
Remarks |
1988
76.0 x 62.0 cm
99
$550
This is the last image available. |
| The Wollangambe is a favourite
haunt of Alasdair's in the northern Blue mountains. Close to Sydney,
yet in parts quite remote, it cuts through the extensive Wollangambe
wilderness. The river constantly changes character as limpid and turquoise
waters flow over shallow sandbars then suddenly turn green, dark and
cold as they reach the next narrow cleft of rock. |
Date
Size
Edition
Price |
1988
76.0 x 62.0 cm
99
$550 |
| The Wollangambe is a favourite
haunt of Alasdair's in the northern Blue Mountains. Close to Sydney,
yet in parts quite remote, it cuts through the extensive Wollangambe
Wilderness. The river constantly changes character as limpid and turquoise
waters flow over shallow sandbars then suddenly turn green, dark and
cold as they reach the next narrow cleft of rock. |
Date
Size
Edition
Price |
1989
56.0 x 74.0 cm
99
$550 |
Between 1988 and 1992 Alasdair
made five extensive visits to the Kimberley region of Western Australia.
Exhibitions and a book — The Kimberley: Horizons of Stone
resulted.
Drysdale River, Kimberley, Western Australia depicts the sandstone
flanks of one of Australia's most inaccessible rivers. As a living
environment favoured by Aboriginal people for thousands of years,
the rocky overhangs along the river abound with art. The strong colours
depict the remoteness of the Kimberley region of Australia. |
Date
Size
Edition
Price |
1996
41.0 x 58.4 cm
40
$440 |
| Fringing the Cay, Heron Island
depicts a quiet corner of the well-known Heron Island at the lower
end of the Great Barrier Reef. Casuarinas sigh and pandanus fronds
rattle in the afternoon breeze on the edge of the island's collar
of white coral sand. |
Date
Size
Edition
Price |
1996
41.4 x 58.1 cm
40
$440 |
| Squall Approaching Bushy Islet,
Cape York
recalls a brief stop on a remote mangrove cay off the Cape
York coast of Queensland while Alasdair sailed from Cairns through
the Great Barrier Reef to the Kimberley. As he recalls in Australia's
Wild Islands (Hodder and Stoughton, Sydney, 1997), Bushy Islet
is unspectacular and unsung, just one little tile of a great mosaic
[but] nonetheless an exquisite example of the diversity of the reef
and the islands within its bounds. |
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